6/19/11

FIRST PEEK: "In the Spirit: Contemporary Northwest Native Arts" at the Washington State History Museum


By Christian Carvajal
June 15, 2011 at 11:31am

ORIGINAL PEOPLES; ORIGINAL ART >>>

For the sixth year in a row, the Washington State History Museum has selected a juried exhibit of contemporary Native American art for display in one of its featured galleries. This year's exhibit is called In the Spirit: Contemporary Northwest Native Arts. I was allowed to browse the exhibit two days before its June 16 opening, on a walkthrough guided by curator Lynette Miller. "How diverse it is," Miller remarks, admiring the collection. These artists "are doing all kinds of things. Some people have gone to art school; they've done years of study. Some people are more self-taught and intuitive." As for the content, Miller describes it as, "very traditional, very non-traditional."

She's right. An almost iconic image of a bird of prey ("Night Hawk," by Jennifer Johns) hangs side by side with a Kaila Farrell-Smith triptych as hip as anything in MoMA.

Despite variation in training levels, the work is impressive and evocative throughout. Indeed, it was vetted by critical eyes. "(The artists) submit (to) a jury of three people," Miller says. "We at the Historical Society are partners with the Longhouse Educational and Cultural Center at Evergreen State College for this event. There's a juror that represents the Historical Society, and another who represents Longhouse...Then there's a third juror, and the last few years, we had the person who won the Best in Show prize the year before be that juror."

It seems a daunting job. "We get a big mix of things every year," she agrees, having been one of those jurors herself in past years. "The jurors also select those artists who will win the awards, which are cash prizes." There are six prizes in total, plus a People's Choice award. Visitors to the exhibit "vote all during the run of the show."

As we stroll past two- and three-dimensional pieces, Miller notes, "There's some with a fair amount of political content, that deals with Native issues." As one might expect, two of those issues are ecology and resistance to assimilation. Miller indicates an Erin Genia clock sculpture called Blood Quantum Countdown. "To be officially an American Indian," Miller says, "you have to have a certain level of ‘blood quantum' from your parents...You can be registered in a tribe if you have some levels, but less than 1/32nd usually isn't enough." Such quantification became politically loaded as the Federal government decided the best thing for indigenous culture was to "help" it to be more European.

"There's this discussion of whether (blood quantum) establishes credentials," Miller says. We're looking at the piece shown above, Peeling the Apple by Charles Bloomfield, in which the feet and hands of a white mannequin have been dipped in red paint. It's thought-provoking work; to the untrained eye, it seems one of several likely prize contenders. "There is a jury winner," Miller says, but declines to reveal that winner. "It'll be announced on opening night."

The show includes a festival Aug. 6, from 10 a.m. to 7 p.m., with performances by Native American singers and dance troupes. It's a welcome opportunity to view our region through its original cultural window.

[Washington State History Museum, In the Spirit, June 16 through August 28, free to members, $6-$8 otherwise, 1911 Pacific Ave., Tacoma, 253.798.5925]

The Weekly Volcano

6/18/11

In the Spirit: Contemporary Northwest Native Arts Exhibit




"Blood Quantum Countdown"
by Erin Genia, Sisseton Wahpeton Oyate
24" x 24"
Mixed media: Ceramic, acrylic on canvas, plaster, silver, clock parts.

June 16 through August 28, 2011
at the


This juried art exhibit showcases the work of contemporary Native American artists. Guests will see how today’s Native art connects traditional artistic heritage and contemporary forms of expression. The featured artwork was selected by a jury comprised of local experts in Native American art. The jury included Lynette Miller, Head of Collections for the Washington State Historical Society; Kayeri Akweks, Washington State Board for Community & Technical Colleges; and Jerry Laktonen, Native artist and winner of the 2010 Best in Show award.

In the Spirit: Northwest Native Arts Market & Festival

August 6, 2011 10 AM-7 PM

at the Washington State History Museum

2011 Award Winners

  • Best in Show - Chholing Taha, Lightening Walker
  • Honoring the Northwest - Justin Youso, Coast Salish Woman
  • Honoring the Ancestors - Jennifer Johns, Night Hawk
  • Honoring Innovation - Ramon Murillo, Preservation of Light

Other awards to be announced at the festival on August 6 are:

  • Purchase Prize
  • Legacy Gallery LTD Award
  • Pendleton Award
  • People's Choice
* * * * *
This is a truly amazing show, and I hope you have the opportunity to take it in. I am very honored to be a part of it! I'm also very thankful for the work that the people at the Evergreen Longhouse Education and Cultural Center do, and for their commitment to contemporary Indigenous artists.

Here is my artist's statement for "Blood Quantum Countdown" :

Using two different varieties of ceramic clay and a working clock, I explore the Western-imposed concept of blood quantum upon indigenous identity. Like the Western construct of time which was imposed through colonization, blood quantum has imprinted itself upon our collective psyche. Using the image of lightning, which instantly attracts the attention of all who see it flash, I seek to draw attention to the dangers of basing our identity upon racist instruments.

Blood quantum originated during a historical period of the U.S. when Native Americans were viewed as a vanishing race. Today, it enjoys widespread use by tribal and federal governments as a legitimate method of determining whether a person can be considered an American Indian. This piece warns that continuing its use inevitably leads to a countdown to our extinction.

Faces are depicted as pie charts to show the nonsensical nature of using this race-based method for quantifying Nativeness. Nobody looks like a pie chart. Our survival as a people is based upon a whole spectrum of qualifying factors, from lineal descent to connection to our tribal communities, to protecting, preserving and revitalizing our tribal cultures. It’s time to reassess the viability of the blood quantum system.

CONTACT INFORMATION
General Information

Lynette Miller
Email: lmiller@wshs.wa.gov
(253) 798-5925 Phone
(253) 272-9518 FAX
Washington State Historical Society
Washington State History Museum
1911 Pacific Avenue
Tacoma, WA 98402
Juried Art Exhibition and Vendor Information
Laura Grabhorn
Email: grabhorl@evergreen.edu
(360) 867-6413 Phone
(360) 867-6699 FAX
Tina Kuckkahn
Email: kuckkaht@evergreen.edu
(360) 867-5344 Phone
Longhouse Education and Cultural Center at The Evergreen State College
2700 Evergreen Parkway NW
Olympia, WA 98505

Check it out!

4/1/11

Just Us: Engendering Justice


Visual and Performing Arts Festival
for Sexual Assault Awareness Month
presented by
Office of Sexual Assault Prevention at the Evergreen State College

FRIDAY, APRIL 1ST
4-6pm: Gender Shadow Workshop
with Evan Hastings
http://gendershadow.blogspot.com/
... in SEM 2 A2109

6-8pm: Spoken Word & Film Screenings in Lecture Hall 2
featuring work by:

Kanako Wynkoop
Molly Fischer
Alexia Crousnillon
Alicia Clifford
Marty Berroteran
Corinne Hughes
Fabiola Romero
Bleu

4-8pm: Visual Art Gallery Open in SEM II E4115

SATURDAY, APRIL 2ND
4-6pm: Visual Art Gallery Event in SEM II E4115
featuring work by:
Meesh Rheault Miller
Molly Fischer
Megan Treasure
Rachel Hartman
Erin Genia
Connie Simpson
Yuko Igarashi
Diana Valenzuela

7-9pm: Oleanna, a play in three acts by David Mamet
directed by Craig Canario in Library 1412

SUNDAY, APRIL 3RD
10am-4pm: Visual Art Gallery Open in SEM II E4115

6-8pm: Killing Us Softly Film and Discussion in Lecture Hall 2


3/28/11

Water is Sacred: A Message from a First Nations Grandmother



Saturday,
April 9th, 2011
6:00 pm
The Evergreen State College
“House of Welcome”
Longhouse Education and Cultural Center
Olympia, WA
FMI: kuckkaht@evergreen.edu; (360) 867-5344
Free, public event

Anishinaabe Grandmother Josepine Mandamin
will discuss her efforts to preserve the Earth’s
clean water supply through annual “Mother Earth
Water Walks”. The Water Walks started during
the Spring of 2003 when Grandmother Mandamin
and her sister led a group of walkers around
Lake Superior. The fi rst walk was followed by the
walk around the upper portion of Lake Michigan
in 2004, Lake Huron in 2005, Lake Ontario in
2006, Lake Erie in 2007, the lower portion of Lake
Michigan in 2008, and along the St. Lawrence
River in 2009.

In 2011, groups of walkers from each of the four
directions, originating on the East and West
coasts, Hudson Bay in the North and the Gulf
of Mexico from the South, will meet at Lake
Superior in June of 2011 for a Water Ceremony
that will combine the waters from each of the four
directions. Learn more about what you can do to
protect the Earth’s clean water supply.

Co-sponsored by: First Peoples Advising, the President’s Diversity Fund, the Native Student Alliance, the Provost’s Offi ce, the Academic Deans, the Longhouse Education and Cultural Center and the following academic programs: “Ceremony: Relating Hospitably to the Land”, “Reading Between the Lines: US Women of Color in the 20th Century”, “Business Foundations”; Master in Public Administration/Tribal Governance program

3/17/11

Native Student Alliance Official Statement on the Pacific Northwest Medicine Wheel Ceremony

The Native Student Alliance serves Native students at the Evergreen State College through various cultural activities that respect and honor the diversity of our student body. We share a responsibility to the land, the people, and the cultures of this region and all of Turtle Island to protect our communities from racism and oppression. NSA is also committed to serving the wider community by building cross-cultural awareness and solidarity with Indigenous peoples.

Most people know that while Native Americans have had many victories in resisting colonial oppression, they have also endured much sorrow and loss. Such losses not only resonate in our modern lives, but the process of colonialism continues to this day. The Native American struggle is alive though it has shifted in nature. A similar sense of entitlement held by the dominant society drives the usurpation of cultural property, as did the violent conquest of Turtle Island.

True cultural exchange occurs when both parties are on equal ground; however, western culture continues to dominate Indigenous peoples. The U.S. has subjected every tribe to generations of assimilative policies that have weakened the social and cultural foundations of tribes. Only 32 years ago, the American Indian Religious Freedom Act granted tribal peoples the basic human right to practice their religious ceremonies without fear of persecution. Such an unequal power dynamic has not only left a painful history, but has put tribes at a disadvantage in economic development. Financial hardship and injured self-respect may spur some Native people to commodify and sell their culture to non-Native people.

Why shouldn't I be able to access whatever spiritual practice I want? For some, this mentality stems from a misplaced sense of entitlement in which Native peoples do not have the right to withhold their sacred ceremonies and traditions. For others, Native Americans are regarded as a vanishing or already extinct group. In an act of preserving the novelty of Native spirituality, they assume it is ok to appropriate. This approach is neither respectful, nor considerate; it is arrogant and patronizing.

Cultural appropriation is predicated on a fundamental disrespect for Native people—at best it is a silly misconception of what it is to be Native, and at worst it is an ultimate threat to our cultural survival. Native cultures are not only a set of cosmologies, but they are principled ways of being. Culture generates social supports, which are the strongest tool in facing dire circumstances within Native communities, such as epidemic youth suicide, substance abuse, and domestic violence. Meanwhile, non-Natives continue to justify taking ceremonies out of context and away from places where they are most needed.

We recognize that we are the descendants of survivors, the legatees of generational trauma and the children of struggle. We have a responsibility to our ancestors and future generations to defend our culture and empower our people. This means building solidarity with non-Native allies and educating our communities about Native cultural issues and concerns.

Our organization has been forced to address an alarming set of circumstances on Evergreen’s campus and in the Olympia community. We have experienced and witnessed:

Racist flyers for the “Pacific Northwest Medicine Wheel” promotional event: The images on the flyer blurred valued cultural distinctions by depicting stereotypical homogenized Native American figures that bear no resemblance to the actual people they are supposed to depict. The two Natives placed together (supposedly Sacagawea and Chief Sealth) never met and have no connections to one another. They are also depicted with their hands up in a stereotypical “How” gesture that so many non-Natives think is “Indian” for hello. Furthermore, there is an inaccurate placement of the buffalo and the mention of the “Medicine Wheel,” both of which are highly sacred to the Plains Indian cultures, but not representative of the Coast Salish Indian cultures.

Desecration of the Longhouse: During the promotional event hosted and sponsored by an Evergreen student group known as Ancestral Wisdom, NSA took particular interest in the words of one speaker, Bennie “Blue Thunder” LeBeau, who claims to be a spiritual leader of the Eastern Shoshone Nation. During the event LeBeau expressed that the sacred and spiritual beliefs and practices of Native Americans should be freely known and used by all people. He claimed our valued cultural distinctions are the products of “bad energy” and promoted his vision of the dissolution of tribal identity. He articulated multiple instances of historical revisionism. For instance, he utterly mischaracterized the history and nature of the Sundance and the Ghost Dance. He stated that Native Americans need to get over the genocide and ensuing colonialism.

Disrespectful behavior by students: In another instance, NSA witnessed LeBeau leading a “ceremony” on the Evergreen campus, in which students were seen acting out stereotypical Native American vocalizations and dances.

Invitation of a suspected fraud onto campus: LeBeau has been given free reign to mislead our learning community and disrespect the Native American students by claiming his new age practices are rooted in Native spirituality. By combining religious activities of many different cultures and traditions with crystals, numerology and romanticized ideas of Native American practices, he makes a mockery of actual Native religions.

Lack of proper protocol and respect the the First Peoples of this land: To all things we are called upon as witnesses. Disregard for the People of this Place (all places) is an offense to the Spirits, to the Ancestors, causing suffering to First People. The protocol of inter-tribal relationships is that First People are the primary concern in all that is done. Speaking our intention and seeking permission is the beginning place of true respect. This homeland is theirs and we "others" are the visitors. Every grain of sand, every tree, every wave that washes upon the shores carries the cultural appropriateness or spirit of this place.

The primary instrument of genocide and assimilation has been the use of exclusiveness in the decision making process. We can never right a wrong but we can change behaviors. What invaded and settled upon this land was economic and spiritual dominance, what we have come to know as Colonization. And injury persists through the process of Colonization (of the mind) stripping away consciousness: we have no rights except that which First Nations grant. And furthermore, legitimate behaviors are blessed by the Elders of Indigenous Peoples. We petition the wisdom and blessings of the Elders so not to offend the spirits and create situations that may be furthering and aiding cultural misappropriation of First Nations/Indigenous Peoples. The organizers have not adhered to protocol in forging ahead with this event.

Lack of good faith in reconciliation attempts: Organizers of the Pacific Northwest Medicine Wheel have projected a façade of good will and intent while paying lip service to necessary protocols that include seeking counsel from respected elders and other Native community members. The result has restricted cross-cultural communication and understanding, ruled out the support and respect of actual indigenous communities, and complicated possibilities for reconciliation. This leads us to believe that the organizers have no intention to alter and cease the event if advised to do so, and have set the stage for on-going offenses.

We challenge the student organization, Ancestral Wisdom, to listen, rethink their notions of peace and harmony, and act in solidarity with actual Native communities.

We call on Student Activities, the Evergreen Administration, and all faculty and staff members to take measures to disassociate our school from Bennie LeBeau, aka “Blue Thunder” and The Pacific Northwest Medicine Wheel ceremony.

We call on the wider community to learn more about this ceremony’s legitimacy before choosing to participate.

We call on our allies to educate other people in our community, who may not be aware of the insidious nature of this event.

In the context of this discussion, we feel we have been subject to racist and anti-Indian aggression, and are responding as such. Moreover, we view the defense of our cultures and traditions as the defense of our survival as Native people in the face of physical, cultural and spiritual genocide. The Native Student Alliance stands in unanimous and staunch opposition to the PNW Medicine Wheel Event. We also reject the anti-indigenous discourse and conduct from its leaders and supporters. We condemn the actions, not the individuals or spirits; we are ready to enter into a reconciliation process. We challenge the supporters of the event to heed our call, rethink and to move towards allyship. Furthermore, we send a message of profound gratitude to those allies who have heard our call and supported us with their words and actions.

3/12/11

Evergreen Native Student Alliance Speaks on Cultural Appropriation

Evergreen Native Student Alliance Speaks on Cultural Appropriatio from Erin Genia on Vimeo.



This is a recording of a delegation from Evergreen's Native Student Alliance speaking about cultural appropriation that is going on in the community, specifically about the Pacific Northwest Medicine Wheel. This interview took place on March 6th, 2011, on "View from the Shore," a long-running show on 89.3 FM KAOS that focuses on Native issues. Many Thanks to Gary Galbraith for conducting the discussion.

3/7/11

Tim DeChristopher's Speech After Verdict in Historic Case is Reached



As Bidder 70, Tim DeChristopher exposed the sham of what passes as "legal" in the sell-off and destruction of America's precious public lands and environment.

Hundreds of thousands of acres of pristine public lands in Utah were hurriedly opened up for business in Bush’s last days in power—with none of the required reviews of the environmental consequences. Tim showed that the leasing process was a sham, the auction process was a sham, and the pricing process was a sham.

With this verdict, Tim’s case shows that the justice system is a sham. He was prosecuted for—and found guilty of—the nonviolent crime of disrupting a federal auction of oil and gas leases on lands near Utah’s Arches and Canyonlands national parks. One that was later found to be illegitimate and rescinded.

Where are the prosecutions of the corrupt officials in the oilogarchy who illegally granted the leases in the first place (not to mention all the other lawbreakers in our society who happen to be politically powerful: the Wall Street criminals who wrecked the world’s economy, the BP/Halliburton/Transocean despoilers of the Gulf of Mexico, the approvers of war and torture, and on and on and on)?

Justice for all. It’s a quaint notion, isn’t it?

By Carolyn Shea